Anthony Burgess’s other invented languages Part 7: Paleolinguistics and Proto-Indo-European

Burgess’s most substantial foray into invented languages was, curiously enough, not conducted for a novel. Ulam is a simplistic language with a slender grammar and limited lexis of terms. Nevertheless, unlike Nadsat or Easy Walker’s slang, it functions independently of English. As well it ought to, since it was intended to be a recreation of proto-Indo-European, the ur-language from which most of the tongues spoken from India and Iran to Ireland ultimately originated. In this sense it can be considered as a more fully realised development of the chanting which he had appended to his version of Oedipus.

Quest for Fire (Jean-Jacques Annaud, 1981) – Make Mine Criterion!
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Anthony Burgess’s other invented languages Part 6: Orwell and the Workers

In 1978, Burgess published what can best be described as a tribute to George Orwell’s Nineteen Eighty-Four, entitled 1985. This rather odd book is made up of a number of sections, including a dialogue between two aspects of Burgess himself. One section is fiction, an attempt by Burgess to update Orwell’s dystopian vision to the 1970s. In it, Britain is Tucland, a failing state dominated by heavyhanded union leaders and the infiltration of Arab money. It is, therefore, very much the vision of an expatriate who was not living and had not lived in Britain for quite some time, and was reliant upon newspaper reports for his perspective on the nation.

1985 - Anthony Burgess - 9781846689192 - Allen & Unwin - Australia

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Anthony Burgess’s other invented languages Part 5: Rewriting the Bible

By the late Seventies, Burgess had received a series of TV biblical commissions to write scripts for adaptations of, firstly the Moses story starring Burt Lancaster, and later the New Testament. He was averse to wasting work, so he repurposed his research and writing for these various televisual commissions into novels, and hence his work on Jesus of Nazareth (1977), directed by Franco Zeffirelli and starring Robert Powell as a blue-eyed Christ, was reworked into the novel Man of Nazareth, which is notably different to the screenplay and perhaps closer to Burgess’s own conception of Jesus.

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