Anthony Burgess’s other invented languages Part 6: Orwell and the Workers

In 1978, Burgess published what can best be described as a tribute to George Orwell’s Nineteen Eighty-Four, entitled 1985. This rather odd book is made up of a number of sections, including a dialogue between two aspects of Burgess himself. One section is fiction, an attempt by Burgess to update Orwell’s dystopian vision to the 1970s. In it, Britain is Tucland, a failing state dominated by heavyhanded union leaders and the infiltration of Arab money. It is, therefore, very much the vision of an expatriate who was not living and had not lived in Britain for quite some time, and was reliant upon newspaper reports for his perspective on the nation.

1985 - Anthony Burgess - 9781846689192 - Allen & Unwin - Australia

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Anthony Burgess’s other invented languages

or, how to get from Nadsat to Nazi Newspeak via Aliens, Stone Age man, Jesus Christ, William Shakespeare, Roman sonnets, Trade Unions, Aussie rhyming slang, Medieval Latin blasphemy, and the Sicilian dialect.

Nadsat is Anthony Burgess’s best known invented language, just as Elvish is JRR Tolkien’s. But Tolkien did not just invent Elvish. Indeed, he created a whole raft of invented languages. What’s probably less well-known is that so did Anthony Burgess. In this series of articles, let’s take a look at his other encounters with invented languages. But first, some background. Or to put in another way, as is so often the case when dealing with the topic of invented languages in literature, but first, Tolkien.

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Savvying the Palaver: Nadsat and Polari

Two days before his death, David Bowie’s final album, Black Star, was released. It features a sparse, and to many listeners baffling, song entitled Girl Loves Me. Even fans who were used to Bowie’s allusive lyrics found Girl Loves Me difficult to comprehend. However, it was soon revealed that the unusual language of the song was derived in part from Nadsat, and from the gay community slang Polari.

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